Sunday, July 22, 2012

麻 + 鬼 = 魔





Kanji is the name given to the Han symbols the Japanese language borrows from the Chinese language. Early written symbols in Chinese were pictographs, which are simply rudimentary drawings of what was/is being seen. Pictography is a form of writing which uses representational, pictorial drawings. It is a basis of cuneiform and to some extent, hieroglyphic writing. The kanji for forest () also means hemp. If you look closely, you will note that the two five-pronged groups of strokes () blatantly resemble the upside down leaves of a male cannabis plant. The 广 portion of the symbol represents a grass hut, in which the leaves are being hung upside down to dry. So prolific and ubiquitous was cannabis in these days that the very symbol for forest drew its inspiration from the characteristic long fanned out leaf pattern still visible in the plant today.


Tuesday, July 10, 2012

KYLE

He was running as fast as his little legs could take him.

His mother's voice was still echoing and trailing off with a sun that had almost finished setting. The bright orange glow was dipping behind the verdant hills and a soft indigo mixed with a loud fuchsia remained to light his way through the (relatively) tall grass. His steps were frantic and jostled his entire frame as he ran. Chubby cheeks and loose arms bounced with each successive transference of weight from right to left and back again. At this age, children don't really bend their knees when they run, they amble fervently, legs kept almost straight, achieving forward momentum only by constantly switching which stiff side is in front.

Kyle clambers up the hand-built wooden stairs of the house one-by-one, taking the steps in huge staccato strides. One tiny foot extends at the end of one short leg, just barely clearing the height, and the other one comes up to meet it. These aren't the smooth alternating steps we learn to take as our bodies grow to accommodate them. These are the genuine efforts of a small body desperately trying to keep moving onward and upward. He plows face first into the base of his mother's soft flower-printed, flowy dress and pulls his head back to gaze up at her. She smells like fresh laundry with a slight hint of spicy cinnamon. His dark brown, almost black hair pasted by sweat to his forehead is clumsily swept aside by one fat little fist. She gently ruffles the back of his head and softly pulls him inside, closing the door behind her.

Taking one of his hands in hers, she leads his short little legs up the stairs, patiently waiting for him to ascend. When they reach the top of the stairs she releases his hand and he hurries off to his room. The lights are already turned down, and the mood causes a short yawn to break the rhythm of his panting. He hops up onto the fluffy comforter adorning his bite-size bed and with one hand deliberately held in a fist, he uses the other to struggle to his feet. His head has just snuck under the curtains as his mother enters the room. Pressing his outstretched hand to the window, he gazes outward mouth agape. She is turning the ceiling lights off and flicking his bedside lamp on while shaking her head back and forth.

"Kyle, honey. What did we say about shoes on the bed?"

He is oblivious to her, rapt with the dancing specks of light in the field he just came from. His breath is fogging the glass as she scoops his feet out from under him with one hand on his backside. Laying him on his back, she begins unfastening his overalls, his little chest and belly still heaving up and down from the night's endeavors. As she slips them off from around his feet, she sweetly rubs and caresses his rising and falling tummy. Another yawn escapes him. Noticing his clenched fist she inquires,

"What do you have in your hand, sweetie?"

He coyly looks away and attempts to roll toward the wall. One smooth firm hand placed on his middle pulls him back to her and quickly dances around, tickling him for a moment. After stifling his giggle he quietly utters,

"Pweez?"

She shakes her head again and leans in close. Her hand gently pats his stomach and then settles into a slow rub.

"Now baby, we talked about this. He can't breathe in there. You have to let him go."

He defiantly shakes his head and yawns yet again. She sighs and sits up, meeting the boy's father at the threshold of the door.

"Oh let him be. He has to learn his own lessons." he says to her.
"But he's just a little boy. It's too much for him." she retorts.
"He's not going to be that way forever, and this is how we can prepare him for the rest. He's just going to do it again, tomorrow. Just like he does every night. He'll learn eventually."

"Hi, Daddy!" Kyle spurts.

He walks toward the bed holding a sustained, "Shhh." leading his wife forward with one hand tenderly placed on the small of her back. She settles on the corner of the bed nearest to his head and resumes tucking him in. The amount of time his eyes remain open between blinks is steadily decreasing.

"Hi, buddy." he whispers, and both of their hands find his forehead, rubbing and overlapping in tandem. Kyle lets out one final yawn and they both take their turns lightly pressing their lips to his rapidly cooling brow. She leans in close an utters an almost imperceptible,

"Mommy loves you, sweetheart. Sleep well. Sweet dreams."

She exits the room and his father remains behind. While keeping his eyes on Kyle he slowly pulls the door shut. After it clicks shut, it immediately opens back up and he peers in at his now sleeping son. This time he only pulls it most of the way shut and continues looking at the boy for a moment through the narrow vertical slice left open. With a pleasant sigh he walks away.

Kyle's fingers begin to loosen and a single firefly escapes his grasp, lighting and blinking as it flutters about his dim room...

[Ready For The Next Step]

Dear Harley,

I'M COMIN' FOR YOU.

Click this picture, and then click Like. Do it, or I will eat you. I mean, I might eat you anyway, but clicking Like will bump you down the list.
7.22.12 UPDATE - AT LEAST 11 more, PLEASE.


I have a few episodes written/outlined, and I'm working on a few more. Gonna try to shoot/edit/upload a "Vish-pilot" ASAP. The only thing I'm waiting for is my parents' visit. Once they've come and gone, unless I hear differently from Harley, I AM WALKING TO FUCKING CANADA. I've mapped it out. I know my fitness/capabilities and while it will be hard, IT WILL BE SO WORTH IT. And so goddamned Epic. Befitting of both the Vish name and the EpicMealTime brand. Should take a little less than a month.

Harley, while I would greatly appreciate the help getting up there (bike, motorcycle, car, airfare, piggyback, magical flying baconweave, the money for any of those, etc.) save your generosity til after I arrive. This is some crazy shit, everybody knows that, but when I pull it off it will reach proportions that can fittingly only be described as Epic. I can hear one or both of our voices now, "THIS NUTJOB WALKED OVER 600 MILES. ALL THE WAY FROM PENNSYLVANIA, THE CANADA OF AMERICA." Besides, yer gonna need all that youtube money to feed me, 'cause when I arrive, I'LL BE FUCKING STARVING.

Pretty much unless The Sauce Boss says otherwise, the plan is to spend some time with my parents and then secure my apartment until after I get back, whenever that may be. I'll need to pony up a couple of months of rent and of course a little money for food for the journey. I'll be packing EXTREMELY light. Probably just a single outfit and my phone along with money and a few toiletries. I'll record videoblogs along the way and post them here to keep everyone apprised of my progress. That way everyone can follow along from the comfort of their own homes.

My goal is in sight and I'm getting sick of waiting for Morenstein to pull the trigger. Stime to show some initiative.

Knowing me and my charm it would be all too easy to fund-raise for travel fare and or secure rides along the way, but that won't do. That's not Epic enough.

No no.

When I burst through that door, likely the leanest I've been in years, HUNGRY AS FUCK, barefoot and barechested, I'll scream at the top of my lungs "HARLEY. I'M HUNGRY." and the whole crew will look at me and know "That's a crazy motherfucker right there." CRAZY LIKE A FOX.

I'm tired of waiting for things to come to me. It's time to go for what I want. Vish-style. Zero fux given. BALLS DEEP.

GET AFTER IT.